The wails and cries of the kingdom in mourning shook the towers and spires to their foundations. Men-at-arms, knights and barons wrought their hands and screamed to the heavens in anguish; women of the seraglio and serf alike wept into each other's shoulders as they clenched tightly; children and infants mewled with their families, the entire land united in sorrow. The king and his family had returned to the palace, the hearts of the nation shattered as one.
The king was a popular monarch, one loved by peasant and noble alike for his generosity, his courage, and his dedication. His taxes were the lightest in all the world, his patronage of the arts and trades made the kingdom rich and cultured to a degree hitherto unseen. Yet when war came to the doorstep, the King of Poets and Song would transform into a Devil of War and Death, as his blade sang a grisly dirge through the bodies and souls of those who would dare threaten his people. This was an age of empires, and the king was ever ready to ensure that his land would be vassal to none.
The story of how the king came to rule has been told and retold so often, many a child of the kingdom could recite it by heart. Reams of parchment charting the king's early years as a thief, adventurer, mercenary, pirate, bandit and general comprise an entire wing of the Royal Library; minstrels sing sagas of his wars and quests on street corners, some composed by the king himself; frescos and reliefs of his adventures in far-off climes and long-lost ruins adorn city walls, his greatest accomplishments of strength and heroism rendered in marble and bronze statues, re-enactments of his legend performed in street theatre. More than any king the land had ever seen, the present king, called the Lion by many, was a living legend.
In his palace in the capital, the Lion lay dying.