Amis Absents

Just over five years after Steve Tompkins' death, Miguel Martins died. Deuce Richardson has a fine tribute marking the fifth year of his absence. I still miss him. I wonder what he'd think about everything that's happened over the past five years: what would he make of the new Howard collections, the Conan games and comics, even things like current affairs in his home country and the continent. There was so much we could have talked about even before - fiction, adventure, history, art, all sorts. Maybe next life.

I stepped away from a more active involvement in Howard fandom for constitutional reasons. In retrospect, perhaps it was more than that too. We were reminiscing over Steve's passing mere weeks before we got the news of Miguel's death. The memory of Patrice & me sharing a quiet moment in memory of Miguel is one that will stay with me forever. For a while, to be part of Howard fandom felt like being in the Company of Death, waiting for the next to fall, dreading to hear about someone's ill health.

Yet the Company of Death does not care what you're doing with your life. Death visited my family in the last month: my grandfather is now the last of his generation following the passing of his two surviving siblings, mere days apart. Relatives, friends, all fled - all done. The price of having a large extended family is the dry cleaning bill for your best suit.

Yet we live, and through us, their memories live. In Taoism, there is no past or future, only the present, which is in a constant state of change. When someone dies, they don't proceed to an "afterlife," but transpose themselves to the other side of the Universe (think of the Yin & Yang). Your body has simply outlived its usefulness, & your spirit carries on in some other form which we mortals cannot perceive. Sometimes the spirit dissipates & joins the Tao, sometimes your spirit is transported back to our side of the Universe in a "new life." In the meantime, those who were left behind retain some contact, as all life is connected with the Tao.

As I say: maybe next life.

Threads

For the last week - last month, really - I've been unwell. I figured it was just another winter-to-spring virus, or possibly the onset of hayfever. But it didn't account for the great frustration, the great sadness, that I felt. I was angry at the world, and I didn't know why.

A timely reminder from a friend told me: it's been a year.

It's been a year since Miguel Martins died. I still miss him greatly, even having only met him for a few days in Texas. But we knew each other about as well as Lovecraft and Howard knew one another: we exchanged emails, debated on matters Howardian, historical and (sometimes) hysterical. The conversation's reached a lull.

I never got around to posting the fifth Scottish Invasion of Cross Plains, and I figure now is as good a time as any to explain why: it's going to be the last time I'm going for the foreseeable future. It has become financially impossible for me to continue jetting off half a world away for a month each year, often with a month or two's preparation and most of the previous year's money going on the plane tickets alone. Every day in Arizona and Texas, I felt tremendous pangs of sadness, as I knew that this might be the last year I go.

I disclosed my feelings to a select few of my friends there. I had thought - as I always did - that this would be the last year. The first year, it was a "once in a lifetime" event. The second, it was just the one encore. The third would be the last time, definitely. Then... well, that's how things went, isn't it?

I could no longer put off the inevitable. Until my financial and professional situation improves, Cross Plains will have to do without me this year. I'm tearing my guts out, of course: Mark Schultz was going to be there, and I would've loved to talk Xenozoic Tales with him. I would've relished talking with Jeff Shanks about the new Conan RPG coming out. I would've been overjoyed seeing all the friends I'd made over the past five years again. I'd made even more friends in Arizona, at the Phoenix Comic-Con, and beyond.

I'll relate one story from the Fifth Invasion. Patrice Louinet was the guest of honour. I was excited: here was someone from closer to home making a similar journey to me and Miguel. The English Channel, so long seeming such a barrier between island and continent, now seemed a mere babbling brook compared to the immensity of the Atlantic; the great expanse of England a patch compared to the grand expanse of North America. So of course I felt a tremendous kinship with him, being fellow Europeans, rekindling the fires of the Auld Alliance. But more importantly, we knew Miguel.

So we talked about our mutual friend. Miguel was naturally a fixture of the French Robert E. Howard community, and Patrice knew him well. He told me a lot about him, his family, and his circumstances. And we shared a moment that I think Miguel would have appreciated. Then, talk wandered to the French Howard community, and of the annual gathering which took place: I was assured I would love it (I don't know, a Robert E. Howard gathering, is that really "me"?) and I seriously considered going. Unfortunately, it was in October, and I was in no mood to be doing anything that month, that year.

This year is very different. I found a spring in my step. The world didn't seem quite so dark. I think on some level, conscious or otherwise, everyone leaves a trace of themselves somewhere, like thread catching on a fence: that thread is always tethered to you through the aether, always connecting you to the places and people you love. There's a thread caught on a cactus in a little garden in Surprize, Arizona; there's another snagged on the door of the Phoenix Convention Centre; one wrapped on the fence of 36 and Avenue J, Cross Plains. Every so often, I feel those threads tugging. Reminding me that there's always a piece of me in Texas.

But it isn't just places, it's people: I have threads stretching to wonderful people in Texas, Arizona, Kansas, California, Florida, New Mexico, Canada... and Japan. England. Germany. France.

I may not be returning to Texas this year. But there's a whole world out there, and many strangers waiting to become friends. I've been to Paris before, as a young boy: a thin, gossamer thread at Notre Dame, Sacre Couer, Disneyland Paris. That thread could do with a reinforcement.

I owe it to a friend.

“But he was a Frenchman. You can’t expect a Frenchman to live hundreds of years. Not in these times. The French are smart people. You can’t fool a Frenchman.”
 - Robert E. Howard, "A Glass of Vodka," letter to Tevis Clyde Smith, ca. September 1932

Requiescat in Pace, Miguel Martins

I've typed, deleted, retyped this post a dozen times now. Nothing seems adequate. I'm just so frustrated and sad and bewildered and baffled.

This Is Too Cool Not To Post.

Thanks to Terry Allen for the Youtube link, and Ben Friberg for the head's up.

Some familiar faces in that news report on the placement of the Lord collection at the Harry Ransom centre.  Well done, all.

Norris Chambers, 1917 - 2013

  *Picture courtesy of Patrice Louinet

I just got an email from Roger Chambers, Norris Chambers' son, informing me that Norris passed away peacefully yesterday; Friday 22nd.

Norris was, as far as I know, the last person who had known Bob Howard personally.
Over the years, I had been exchanging emails with Norris on a semi-regular basis, and he usually answered them within 24 hours. Less than a month ago, he had been extremely helpful when I asked his help identifying the poems he had furnished Glenn Lord when Glenn was preparing what would become Always Comes Evening. In one of those recent emails, he quoted from memory several lines from "To A Woman", explaining me how much this poem had struck him and had stayed with him all those years.
It will be hard to accept that Norris won't be there to answer my emails anymore.

  - Patrice Louinet

Norris Chambers was a link to the past. With his passing, I'm reminded of the tenuous nature of time, how fleeting it is, and how personal experiences can be lost to time forever. This time last year, the last person to see service in the First World War died. The year before, the last combat veteran passed away. And the year before that, the last speaker of the Bo language. There is no one still alive who bore witness to the nightmares of Paschendaele and the Somme, the horror of Jallianwalla Bagh, the sinking of the Titanic, the Christmas Truce, the October Revolution. There are no more Ottomans, suffragettes, sky sailors, Bedford Boys, Cockleshell Heroes, Castner's Cutthroats, or Golden Thirteens. None of the people who fought for the independence of Estonia, Latvia, Turkey, and Ireland now live to see their countries' freedom. And we've lost other literary connections in the past decade: the last people who knew Thomas Hardy and Harry Houdini have also passed away. And now Norris Chambers, the modern world's last personal link to Robert E. Howard.

All the moments of a lifetime are lost, as they say, like tears in rain. But Norris loved to retell those moments, and as long as his personal site is online, people from all over the world can hear them. But what better way to hear those stories than through the man's own words?

 

Thanks for all the memories, Mr. Chambers.

 I once wrote a fantasy tale about a society in some strange place where people entered into an amusement park and paid a sizeable sum of money to enter a dream parlor. Here a technologically advanced system took you through a lifetime on some fictional planet called Earth where you lived a full life from birth to death. After years of living in a strange land where you might have a great life or a terrible one you died and the journey was over. The experience seemed so realistic that you thought the existence on earth was real and that the life there was the center of the universe.

Visitors to this strange, unreal planet were shocked to find that the people there did not live in harmony but fought each other in strange conflicts called wars. Many of the participants actually died in battle and the dream was over for them. The entire population of that planet was composed of inhabitants living the dreams they paid for in another life.

While there they did not know about their real life but lived the life of the dream. None of the earth planet or the life on it was real!

Those who returned from this dream parlor experience had very vivid memories of the lives they lived there – some were short and some were long, depending on the unpredictable circumstances of that particular dream. Very few of the adventure seekers who took the dream trip wanted to try another experience on earth.

Dreams can be a lot of fun, but they can also become very confusing when you begin to wonder which is the dream and which is real.

Is there a lot of fun in dreaming? Sometimes there is and sometimes there is not. It seems to depend on what the dream is about and how you are involved. My advice would be if you must dream make it a good dream. Then it will be fun!

 - "Big Dreams are Big Fun," Norris Chambers

Writing What You Know

Back in University, I made this cover for one of the most important books in my early life. Sadly the ACD Estate never got in touch with me, but them's the breaks.

Been very quiet here on The Blog That Time Forgot. A little too quiet. But, as ever, don't mistake lack of information as dearth of activity, for I've been very busy on what amounts to a perilous journey of self-discovery, where I'm looking at myself, my place in the world, and how I can help others in my situation.

Truth is, despite wearing my heart on my sleeve and being very open about my emotional reactions to artistic stimuli, there are some things I don't want to share with the world at large. Things that are a part of me,  which are most certainly not harmful or wicked by any standard, but which are still deeply misunderstood and prone to misinterpretation. It seems preposterous to not want to "come out" about something that you shouldn't have to "come out" about, but recent events - tragedies, scandals, whatnot - have led me to be reticent about it. At the same time, I look at the people I know who share this thing: younger than me, maybe more naive, growing up in a very different environment that's better in some ways, worse than others.

I'm not ready to be fully open about just what that thing is. Truth be told, I'm sure if I told some of you, you'd say "what, that's it?" and it wouldn't change your opinion of me whatsoever. If that were your reaction, then trust me, I had no doubts. But until then, this is going to be a part of myself I only reveal to few.

What I have no difficulty sharing is my feelings on art, and specifically, where I want to go with it. Being a fan of Conan Doyle, Burroughs, Howard, Merritt, Haggard, and all manner of adventure authors, it should be no surprise that my artistic aspirations are very much in their field: tales of brave and bombastic souls seeking out new worlds and people and life, challenging the universe to unveil its secrets, trekking and voyaging and journeying through hostile terrain and uncharted territory. Certainly I've watched a lot of fellow fans of the genre go on to produce their own works. I'll have a look at some of them here.

Robert E. Howard and Meditations on Manliness

I write about bears with primitive faults and failings and even if I am nothing but a cub writer, still the faulty characters I make are more real than most of the young intellectual fools with their egoist hooey. I mean my characters are more like bears than these real bears are, see. They’re rough and rude, they got paws and they got tummies. They grumble and they hug; break the fur of teddies and you find the bear, roaring and red-pawed. That’s the way teddies are.
- Robeart E. Howard, letter to Teddy Clyde Smith, week of February 20, 1928.

I was planning on doing a post on Robert E. Howard for his birthday, but couldn't think of anything to write. What is there left to say that hasn't been said over the past 107 years? There are some very interesting ones from Jim Cornelius, Todd Vick, SFGateway, Read at Joe's, Kaijuville, Temple of the Sun, and naturally the Robert E. Howard Forums, but I couldn't think of a "hook." Luckily fate intervened and provided an excellent opportunity via a Rob Bricken article on Io9.com: 11 Preposterously Manly Fantasy Series:

What makes a book series manly? Is it the action? The violence? The lack of female characters? Is it male wish-fulfillment? Misogyny? Or a combination of all these things?

What makes a book series manly? Well, I have an idea of that...

80 Years of Conan at Pulpfest

Coming up next month is Pulpfest, the annual shindig dedicated to all things pulp: a celebration of Tarzan's and John Carter's centennials, former Cimmerian blogger Bill Maynard and Howard art extraordinaires the Keegans and Mark Schultz will be in attendance, and dozens of events and panels will take place.  As with Howard Days, Conan's 80th is high on the agenda, with a panel on the Cimmerian on Saturday the 11th:

On Saturday, August 11th, PulpFest will celebrate the eightieth birthday of Conan and the sword and sorcery genre with a panel presentation hosted by Rusty Burke, the editor of the highly acclaimed Howard reprint series published by Del Rey Books, the president of the Robert E. Howard Foundation, and a member of REHupa (The Robert E. Howard United Press Association).

Joining Rusty for Robert E. Howard’s Conan and the Birth of Sword and Sorcery will be Don Herron, editor of The Dark Barbarian (Greenwood Press, 1984), the first book to treat Howard’s work seriously, and its sequel The Barbaric Triumph (Wildside Press, 2004). For a quarter century, Don has been leading San Francisco’s Dashiell Hammett Tour, the longest-running literary tour in the United States. Also on board will be Brian Leno, an award-winning Howard scholar whose essays have appeared in The Cimmerian, REH: Two-Gun Raconteur, and Up and Down These Mean Streets, and John D. Squires, an Ohio bookseller whose knowledge of fantastic fiction is broad and deep. John is an expert on the work of M. P. Shiel and publisher of JDS Books and The Vainglory Press.

Rusty Burke and Don Herron,* of course, need no further introduction. I'd mentioned Brian Leno's "Atali, The Lady of Frozen Death" in 80 Years of Conan, but that's barely scratching the surface of his decades of work. "Lovecraft's Southern Vacation," a look at "Pigeons from Hell" which previously appeared in The Cimmerian v3 n2, can be read online. Most recently he's been doing great work on Howard and his admiration of Arthur "Kid" Dula at the Two-Gun Raconteur blog (parts one, two, three, four, five and six).

Were I a rich man, I'd take my private dirigible over to Columbus, Ohio, set anchor above the Hyatte Regency, and parachute down to enjoy what will undoubtedly be a fantastic and informative panel. Then steal all the books, because who's going to tangle with a man who has his own airship? Nobody, that's who.

*The site mispelled him as "Heron" in the tags: I can sympathise, having been misidentified at various points as Harrow, Harn, Harren and indeed Herron, but them's the digs.

A Word on Female Fans, Femininity and Fandom

 Yes, this is an actual cover for an actual upcoming monthly for Conan the Barbarian. My thoughts? It's the most amazing troll I've seen since the Darrow cover. Fantastic job, Dark Horse.

I've been holding off on "80 Years of Conan: The Frost-Giant's Daughter" because I've been wrestling with one of the key issues with the story.  I've been conversing with a number of individuals I believe to be more experienced and authoritative in said issue, because while I really don't want to talk about the deeply unpleasant subject, I also think it's important to acknowledge it. In any case, I'll be providing links to places that do talk about it, even if my take is going to be quite limited. However, there's another reason.

"Conan the Existentialist" with Charles Hoffman

Ben's posted up Charles Hoffman's "Conan the Existentialist" panel from Howard Days 2012. While Rusty Burke introduces and contextualises the panel, Chuck was flying solo with this one for the most part.

 

While you'll have to track down a copy of "Conan the Existential" in print media (such as The Barbaric Triumph), Chuck has his own blog with many essays regarding Howard here.

Roll Up, Roll Up, Come See The Bearded Scotsman!

For those wondering what the bearded Scot who runs this place looks and sounds like in motion, Howard Days documentarian Ben "warriorphotog36" Friberg has uploaded his recording of the "80 Years of Conan"  panel from 10th June 2012. I've updated the Day 2 post to include the video, but I thought I'd highlight it here too, so I can discuss a few things.

While I agree that not everyone is going to like Conan, and that someone of a particularly analytical and scientific mindset may have a harder time, I must respectfully disagree with Mr Finn in his suggestion that Conan was the same sort of guy who would stuff 8-year-old Mark into lockers and take his lunch money.* I can't speak for American experiences with bullying, but that sort of thing sounds a lot more like Postumo of "The God in the Bowl" than Conan to me: the sort of cowardly jackbooting and macho posturing which would get you killed if you tried it in Cimmeria. I tend to think that if Conan was someone you knew at school, he'd be the one sent to juvie for beating up the gym teacher after being browbeaten once too often. And then stealing his car.

The script Paul was referring to seems to be Conan the Conqueror rather than the more famous Crown of Iron, since Conan doesn't become king of Aquilonia in the latter, at least in the script I've read: either that, or he's read a very different version of the script from me, which is entirely possible. Or maybe he liked Crown of Iron better than I did, which is also feasible (it'd be harder to find someone who liked it less than I did!)

I really wish I hadn't brought up that "barbarians didn't burn the Library of Alexandria" comment, since I don't think I was clear about it: what I was trying to say is that there's significant cultural baggage when it comes to the term "barbarian," equating it with destruction, violence, atavism and the like at the exclusion of positive traits. As such, when you say to some that Conan had a great love and respect for art, poetry and song, it comes as a shock to them: isn't Conan the Big Dumb Barbarian who's only interested in lowly carnal pursuits? That's what I was getting at.

Finally, isn't it amusing that a panel ostensibly about Conan talks about Robert E. Howard a lot more, especially the second-to-last question where we talk about what an alternate-universe Howard wrote instead of Conan?

When Ben posts up the rest of the panels, I'll let you know.

*Michal points out that Mark may have been talking about adherents of scientific positivism having that impression of Conan, not that Mark himself held those sentiments: that makes more sense to me. Hopefully Mark'll come by and clarify.

The de Camp Controversy: Essential Reading For Those Not in the Know

I've noticed a number of inquiries recently regarding L. Sprague de Camp; more specifically, "what's the deal Howard fans have with L. Sprague de Camp?" Well, I think the best and most complete analysis of the sort of thing which many Howard fans take issue with is Morgan Holmes' Hyrkanian Award-winning "The de Camp Controversy."

For the ease of navigation, here are links to all 16 parts of "The de Camp Controversy."

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12
Part 13
Part 14
Part 15
Part 16

Of the essay, Holmes says:

“The de Camp Controversy” started out because of some heated debate at the Conan forum regarding L. Sprague de Camp’s legacy. I had originally intended it to be three or four blog posts and that would be it. Once I got into it, there was so much more to cover. I would still like to fill in some blank spots like the shopping of Conan to paperback publishers in 1963 and ’64. A trip to look through de Camp’s papers is in order someday along with some talks with still living players of events from decades gone by. So with some time and effort, an expanded version may see the light of day in the future.

I'd like to reiterate that my personal knowledge and interpretation of de Camp is probably very different from those of long-time Howard fans for the simple reason that I only got into Howard fandom at large years after his death. As such, all I have to go on is history and the word of those who were there at the time, and going on that, my take on him is that he was an extremely intelligent man who simply didn't get Howard - perhaps because he was very scientifically minded as opposed to emotionally minded, his background was just so different, or a simple blind spot - but rather than assume it was something he didn't understand, he presumed it was because there was nothing to get. For decades the idea that Howard was an inferior writer and world-builder whose work had no serious literary merit was, essentially, the status quo, even when you had essays arguing the latter all the way back to 1974 with Hoffman's "Conan the Existentialist." Nowadays, with Howard being considered a Serious Writer With Real Literary Merit more and more, it's important to note just how far we've come since those days.

80 Years of Conan: Introduction

I’ve been working on a new character, providing him with a new epoch – the Hyborian Age, which men have forgotten, but which remains in classical names, and distorted myths.
 - Robert E. Howard, letter to H.P. Lovecraft, circa April 1932

2012 marks the eightieth year of Conan the Cimmerian’s presence in the popular consciousness. Following the previous year’s multitude of anniversaries (the Cross Plains Centennial, the 75th of Howard’s death, the 50th of Glenn Lord’s Howard Collector, among others) there is one other notable landmark in the 30th anniversary of John Milius’ Conan the Barbarian. While the cultural significance of the film deigns it worthy of recognition on such a year, the much greater milestone of the character’s first appearance in any medium should not go unnoticed.

And so it shan’t. In the months leading to December, I will be embarking upon a retrospective of all the Conan stories, fragments, synopses and related material of Howard’s most famous son: arguably one of the most recognizable characters in all fantastic literature, almost certainly the most recognizable barbarian in popular media, and one of the pillars of the Sword and Sorcery genre.

No doubt other tributes dedicated to the greater Conan franchise which has exploded over the past eight decades will appear across the internet, and better left to those more adequately versed in the comics, pastiches, films and television series. I’m just going to talk about the stories that started it all.

Howard Days Panel Videos

Sorry for the lack of updates again, various factors and all that.  Anyway, I had meant to post these in the Scottish Invasion posts (and will do so), but I might as well post the videos up so far here.

Ben Friberg has been providing a fantastic service for Howard fans everywhere, by posting videos of the panels from Howard Days up on Youtube. There are quite a few up there, so check out Ben's profile for more. For now, here are the first three panels from this year's Howard Days.

Steve Tompkins

I'm sure I'm not alone in observing the second anniversary of Steve Tompkins' passing.  I'm also sure I'm not the only one who thinks they could possibly say anything that isn't redundant.

However, there's always something new to discover. Damon Sasser recalls his erudition and breadth of knowledge, citing some of his best essays, including one I didn't know was available on the internet until know: Black Stranger, White Wolflord. This essay, originally published in Two-Gun Raconteur #12 and third place for the REH Foundation Hyrkanian last year, fits right in with other pieces Steve wrote regarding "The Black Stranger": Grinning, Unappeased, Aboriginal Demons and This, That, T'Other being online, and his introduction to The Black Stranger And Other American Tales.  I'd already read it in print form, but I'm glad to find more Tompkins material on the internet.  And that's for just one of Howard's stories!

If you haven't already done so, go and read over Steve's many marvellous writings, be they on The Cimmerian website, his fanzines, or in print, in addition to some of the fine tributes also printed in Two-Gun Raconteur.

As for me?  Well, I still can't find the words.  So, I offer this small tribute in visual form.  I always felt I should draw a tribute to Steve in some manner, and this just seems appropriate.

Skål, sláinte, prost, and many, many cheers for Steve Tompkins.

Manilla Road: Metal Ambassadors to Weird Tales

I still need to finish that retrospective on Manilla Road's sonic tributes to Robert E. Howard, but then I found this recent interview, and I'm so thrilled I can barely type.

WC: It's like there's something in the collective mind of people that brings them all to a certain topic at the same time.

MS: That brings to mind that I saw an ad for a new Conan movie that's gonna come out in 2009. I have no idea who's in it but just the thought of another Conan movie is like "Well, I hope they do it right this time".

Watkiss has a rival for my man-crush affections: Mark "the Shark" Shelton, you are my Metal Hero.

MS: I do,too! My favorite movie of all time is "Jason and the Argonauts". I'm stuck on it just like I'm stuck on my old Judas Priest albums like "Stained Class" and "Sin After Sin".

WC: This computer generated stuff of today just doesn't have the personality of what Harryhausen did.

MS: I agree. I still like the original "King Kong". (chuckles)

WC: We better get back on track or we'll spend all night talking about this stuff.

MS: Yeah, I have a feeling we could!

Scratch that: Metal Icon.

WC. I know you've had whole albums where the lyrics are inspired by Poe and Lovecraft. What are some of your favorite stories by those authors?

MS: My favorite Edgar Allan Poe story is "Mystification". It's one you don't often find in the "Best Of" collections. There's a collection out there right now...I can't remember the name of the publisher...that's called "The Complete Poe" and it's a good one to get because it's got everything he's ever wrote. "Mystification" is not one that shows up as much as "Masque of the Red Death"...which would be my next favorite Poe story, by the way...but there's a lot of Poe's own personality in that story. I think he envisioned himself as one of those characters. It's a really good story and I thought he made statements through his storyline that were really statements about himself. That's why we did a song "Mystification", because that story hit me so hard.

As far as Lovecraft goes, my two favorite stories are not the usual Lovecraftian stories. One is a short story called "The Tomb" that I love completely. It's written in almost an Edgar Allan Poe style and I think Lovecraft was after that and he did it just splendidly in that story. That was one of those stories where you could really see where H.P.'s roots in the horror genre were. He proved it in that story. The other one,strangely enough, is his more Mary Shelley strain of work: "Herbert West, Reanimator". (laughs)

WC: If I remember right, Lovecraft didn't think too much of that story himself.

MS: He hated it. I don't think too many people knew about it until the movie started coming out. Jeffrey Combs I thought was really good in the Lovecraft movies. "From Beyond", he was great in that. You know, I actually acquired the original Necromomicon Press versions of "Reanimator". They were just little short stories that originally appeared in "Weird Tales". I've got a little booklet that was put out by Necronomicon Press that was all the little short stories put together. I just thought the whole thing was great!

WC: "The Color Out Of Space" was my favorite Lovecraft story.

MS: All of his work's really incredible. His real ethereal stories are so far out there that nobody could ever write like that, I think.

WC: The one guy who equalled if not surpassed him when it came to weird visions was Clark Ashton Smith.

MS: Clark Ashton Smith's pretty good. My favorite of all time, just because of the way he mixes reality with the supernatural, is Robert E. Howard.

WC: Yeah, he dabbled in just about every genre you could think of.

MS: Just about everything. Sports stories, Westerns...he was all over the board. His unedited works that are coming out now are just incredible. The Conan stuff is great, the King Kull stuff is pretty good stuff. Not as good as Conan, I believe. I love the Bran Mak Morn stuff, Solomon Kane...

Scratch that: Metal Heroicon.

And man, Wormwood Chronicles isn't that bad himself, giving Clark Ashton Smith props!

Robert E. Howard Days Schedule Up

From REHupa, courtesy of Indy:

2011 HOWARD DAYS SCHEDULE SUMMARY VERSION

FRIDAY JUNE 10

8:30 – 9 am: Coffee and donuts at the Pavilion, compliments of Project Pride

9 am – 4 pm: Robert E. Howard House Museum open to the public.

9 am – 4 pm: REH Postal Cancellation at Cross Plains Post Office

9 am – 11 am: “Trailer” Tour of Cross Plains

10 am – 5 pm: Cross Plains Public Library open

11:00: PANEL: Howard Days History

Noon: Lunch hosted by Project Pride. Donations Welcome.

11:00 am to 4 pm: Pavilion available for REH items Swap Meet

1:00 pm: PANEL: History of REH fanzines

2:15 pm: PANEL: Howard’s Historicals

3:30 pm: PANEL: Conan Movie Trailers

5:30 – 6:30: Silent Auction items available for    viewing & bidding at Banquet site

6:30: Robert E. Howard Celebration Banquet & Silent Auction at the Cross Plains Community Center

Following the Banquet & Silent Auction: The Second Annual Robert E. Howard Foundation Awards at the Cross Plains Community Center

Afterward there will be some extemporaneous REH Poetry Reading at the Pavilion.

SATURDAY JUNE 11

9 am – 4 pm: Robert E. Howard House Museum open to the public.

9 am – 4 pm: BARBARIAN FESTIVAL in the large lot North of the Dollar Store on Main St.

10 am – 3 pm: Cross Plains Public Library open

10 am PANEL: To Be Announced

Noon to 4 pm: Pavilion available for REH items Swap Meet

Lunch & Festival Activities at your leisure during the day

1:00 pm PANEL: Damon Sasser/Dennis McHaney

2:15 pm PANEL: REH Historical Poetry

3:30 pm PANEL:What’s Up with REH? at the Pavilion

5 pm: Sunset BBQ at the Caddo Peak Ranch

The Robert E. Howard Foundation will host a Legacy Circle Members Luncheon 11:30 am Saturday at Jean’s Feed Barn.

The Robert E. Howard grave site: A visit to the Howard grave site at the Greenleaf Cemetery in Brownwood is not an “official” activity of REH Days. Directions are available at the Howard House, as are directions to Novalyne Price Ellis’ grave site between Brownwood and Bangs.

HOWARD DAYS PRE-REGISTRATION

PLEASE NOTE: You do not have to pre-register to partake of the weekend’s festivities. All are welcome to attend, visit the House and enjoy all of the activities free of charge. Project Pride likes to pre-register folks to get a head count of how many will be attending the Banquet. All the panels, tours, Swap Meet, BBQ etc. are presented at no cost. Your registration fee covers coffee & donuts Friday morning, lunch at the Pavilion Friday noon, the Friday Banquet and the Saturday BBQ.

The cost for pre-registration this year is $15 per person. Simply send your name(s) & address with a check or money order or register via PayPal (information forthcoming):
Project Pride
Attn: REH Days 2010 Pre-registration
PO Box 534
Cross Plains, TX 76443
Please pre-register before June 1, 2011.
And for only $3.00 more per person ($5.00 per family), you can become a card-carrying Member of Project Pride. Each membership can make a big difference for the House!

Oh boy! A detailed breakdown after the jump, as well as a few observations from last year (I had this whole ten-part "Scottish Invasion of Cross Plains" series planned, but procrastination has proven terminal.  Someday...)

Jonathan Bowden on Robert E. Howard: A Lecture in Seven Parts

(In the recent hubbub, I realised that I had written, but not published, something fairly relevant to the discussion. The reasons why will become fairly evident.)

Jonathan Bowden is an outspoken right-wing speaker, and was for a few years a member of the BNP. The BNP being a political party whose aim is to, through legal and peaceful methods, offer "firm but voluntary incentives for immigrants and their descendants to return home". Essentially, to kick all the non-whites out of Britain. So for him to speak about Howard is worrisome, to say the least. I have no problem with anyone from any political background talking about Howard, but the potential for him to be hijacked to make political points is there.

The Second Scottish Invasion of Cross Plains: Howard Days 2011

After the monumental success of the Scottish Five's cross-continental expedition, it would only be a matter of months before it was repeated.  12, to be exact.  Bill "Indy" Cavalier has posted an update on Howard Days 2011.  Excitement!

This year, under the sponsorship of The Robert E. Howard Foundation and Project Pride of Cross Plains, with assistance from the Robert E. Howard United Press Association, our “theme” is all about Howard History. 2011 marks four unique anniversaries upon which will will devote our festivities. Cross Plains, Texas is already celebrating it’s 100th anniversary as an incorporated town (you can follow this on Facebook right now), it’s the 75th year of honoring the Legacy of REH, it’s the 50th anniversary of Glenn Lord’s benchmark Howard publication, The Howard Collector, and it’s the 25th anniversary of the very first Robert E. Howard Days.

Lest we forget another very important anniversary: the first anniversary of the Scottish Invasion of Cross Plains!  (I kid, I kid, ho ho ho)

Keeping that history angle in mind, we’ve chosen two Legendary REH publishers to be our Co-Guests of Honor this year: Damon Sasser and Dennis McHaney. Those of you familiar with Howard Fandom will of course recognize Damon and Dennis and we’re happy to have them at Howard Days to talk and be available to their legions of fans. Damon is the publisher of REH: Two-Gun Raconteur (“The definitive Howard Fanzine”) and runs the REH: TGR blog, and Dennis’ The Howard Review is his ultimate claim to fame (among others) in a nearly 40 year career as as a REH publisher. Dennis also runs the biggest REH message board at rehinnercircle.com.

I had the pleasure of meeting Dennis at Howard Days, though it was not without some trepidation: he'd been rather critical of The Cimmerian's post-Leo Grin run (not that the Grin regime was exempt from his criticisms), but I was so awed by the man's work for Howardom that I felt compelled to introduce myself all the same.  He was a thoroughly pleasant and erudite gentleman, and I'm very glad to have talked with him.  I didn't, unfortunately, spend much time talking to Damon Sasser: this will undoubtedly be rectified this year.

There’s lots more info to come here on the REHupa site, plus there’ll be info at the REH Foundation site, Damon’s TGR blog and Conan.com. We’re in the process of setting up the scheduling for Howard Days, plus there’ll be some truly fantastic events happening if everything falls into place this year. All of the familiar fan-friendly events are still happening: House & Town tours, Banquet & Silent Auction, Swap Meet, Postal Cancellation, Saturday BBQ plus a plethora of interesting panels & hopefully some special events.

Ok, if that’s not enough enticement, keep your radio dial tuned here for updates and more detailed information. In the meantime, shouldn’t you be making your plans to get to Howard Days this year? We’ll be looking for you! Y’all come!

Woohoo!  I have the hotel booked, tickets bought, and working on how best to keep cool.  I'm thinking a Bedouin suit - thawb, sirwal, kafiya - but combined with my beard, I'd probably give the locals a bit of the heeby-jeebies.  I could always pretend I'm dressed up as Kirby O'Donnell.  Or T.E. Lawrence after a few years not shaving.

DAAAAAH daaaaah... daah-duuuuh-daaah-daaah-DAAAAAH daaaaah....

Robert E. Howard: A New Manifesto

(The following is a special message from none other than Mark Finn.  It will be proliferated on various websites as a measure to increase awareness on Howard, Howard scholarship and newcomers to the world of Robert E. Howard.  I encourage all who read this to forward it to anyone and everyone who needs to read it. Click on "But Wait, There's More" for more details on the Manifesto from Mark.)

Why a New Manifesto?

In the past twelve months, I've seen several rounds of speculation from various bloggers lately, two of which were the equivalent of Internet train wreaks that ended rather badly, despite everyone’s avowed intentions. In the interest of using the Internet as an actual research tool, I have written this manifesto on behalf of the fans and interested parties in the life and works of Robert E. Howard, as a guide to the person or persons who are new to Howard studies, or perhaps would like to write an article, essay, or blog post about him. If you’d like to delve deeper into the history and current state of Howard studies, and get some advice for participating in the debate, click on the link at the end of this Manifesto.

A New Robert E. Howard Manifesto

I am a fan of Robert E. Howard, the Texas author who created a multitude of unique characters, wrote original and inventive fiction, defined the genre of epic fantasy as we understand it, and inspired me to become a professional writer. There are tens of thousands of other fans just like myself. As fans of Robert E. Howard and his works, we are interested in reading more about our favorite author. We are interested in sharing and exchanging new ideas about his life and work, and we actively seek out these new ideas online, in print, and elsewhere.

What we do not want to see are semi-uninformed retreads of the same discussions that were in vogue circa 1984. The field of Howard Studies is alive and well, with new discoveries and voices appearing all the time.  Interest in the author is high and remains so. If you have a thought or an opinion, even a controversial or untested one, and want to share it with the world at large, we encourage that you do so.

We expect responsibility and accountability on your part. We are not interested in your grand pronouncement on a subject which has yet to be settled by people who have spent decades studying the issue at hand. We expect you to do your homework. There are a number of websites and literally stacks of new books that likely cover or answer most of your questions regarding Robert E. Howard. To not utilize those sources when doing your research smacks of willful ignorance and will not be tolerated by the fans of Robert E. Howard. 

If you want to write a review about how much you didn’t like Kull: Exile of Atlantis, have at it. Take it apart for any and all textual reasons you choose to invoke. We may not agree because Howard’s work isn’t for everyone, and we understand that. But the minute you start bringing Robert E. Howard’s life story into your Kull review, it will garner a much more careful reading, and if you don’t have your facts straight, or your opinions backed up by same, then we will call you on it.

The online Robert E. Howard fanbase calls itself the “Shield Wall.” Some writers who have been on the business end of the Shield Wall’s attacks have accused us of being bullies and overly-obsessed for the protective stance we take. While it is not our intention to bully anyone, and while we may get a little carried away on occasion, let me be very clear here as to why this is so: Robert E. Howard has not had a voice for 75 years now. For four decades after his death, he had very few advocates who would defend him against the libel and slander of those who stood to profit from his work. He has been misunderstood and misrepresented for years. The Shield Wall’s goal has been to stop in its entirety the kind of character assassination employed by L. Sprague de Camp and others who would adopt his methodology. 

Consider this a challenge to survey the amount of work that has been done in Howard Studies in the last ten years alone and then try to come up with your own take on a topic or angle of discussion that has not been beaten to death. Do not make the mistake that so many others have made; just because Robert E. Howard isn’t considered a “classic” author by the literary establishment that you can beat his literary reputation (or his personal life) like a rented mule and you will not get kicked for your efforts.

We expect you to accord Robert E. Howard the same respect as any other 20^th century American author with continued and perennial popularity. No more back handed compliments. No more snide insinuations. No more rampant and irresponsible speculation with no basis of fact or evidence to bolster it. And for God’s Sake, no more “oedipal complex” crap, either. Those theories are thirty years out of date, and we are sick and tired of seeing it. Give us something new, or keep your parochial and backwards thinking to yourself. 

Mark Finn

Author of Blood & Thunder: The Life and Art of Robert E. Howard

And Commander of the Texas Shield Wall