Showing posts with label Dark Horse. Show all posts
Showing posts with label Dark Horse. Show all posts

Sunday, 24 March 2013

On Adaptations and Illustrations of Literature

 It may have taken them 5 issues to stop messing around with pastichery and finally start seriously adapting some Howard stories, but it's well worth the wait.

This year's Howard Days, which I shall indeed be attending for all those who wish to see the Greater Bearded Scot, is centered around Howard in comics. The guest of honour is Timothy Truman, currently writing the upcoming King Conan: The Hour of the Dragon adaptation from Dark Horse. And the fandom rejoiced, for Truman is popular among Howard fans for his comparatively faithful adaptations and appreciation of Howard. Well, most Howard fans: there's always one, isn't there?

No, I doubt there'll be any tense stand-offs between myself and Mr Truman, because I'm a gentleman and a scholar as well as a raving blaspheming lunatic. Besides, although I have my share of misgivings on his decisions ("Why is Kutamun such a big wimp?" "Why did he reveal the Gray Ape so early?" "What's with this chronicler business in his King Conan stuff?") there is a lot to like in his adaptations, particularly when some of the changes - gasp! - are actually interesting. Yes, you heard me, I thought some of Truman's changes were something other than terrible, heinous and disrespectful to Howard! What on earth has come over me?

In any case, the subject of Howard in Comics is obviously highly tied to the long and celebrated history of adaptations, from the famous Marvel Conan the Barbarian to the current franchise at Dark Horse, with a gamut of writers and artists adding their interpretations to Howard's works. There have been stories that practically transpose Howard's prose straight onto the page, and others that took a more Hitchcockian approach. From the sublime to the ridiculous, as it were.

Being an aspiring comic artist myself, it seems an appropriate time to turn up to Howard Days with my musings on the medium's relevance to an author who died in 1936.

Tuesday, 4 September 2012

Good Scot/Bad Scot: Conan & The Daughters of Midora

So Conan: Daughters of Midora and Other Stories is out, and much like recent Kull, Solomon Kane and The Road of Kings collections, it's a trade paperback I'm not in a particular hurry to purchase, even if it includes a brand new story exclusive to the book. Zach Davisson has a review up, and it's fair to say he and I have rather divergent viewpoints on some aspects of Howard adaptations and pastiches. Case in point, he loved Conan and the Daughters of Midora, the banner story in this collection, which should tell you something about the quality of the pieces therein.* I... Well, I wrote a rather cynical review of it for the fifth issue of my REHupa 'zine. And since the collection's out, it seems timely to dredge it up again.

I should note that this was written in late 2011, so some of the references are a bit dated: I'm not collecting the main Conan title any more, and Savage Sword of REH has started getting on with Howard adaptations.

Tuesday, 17 August 2010

This guy really loves his Dark Horse Conan...

I guess it's hard for me to say anything about Dark Horse's run on Conan.  Most would accuse me of being an unpleasable fanboy, that no comic adaptation could possibly compare to the artistic vision of Howard, and that anything would come up short.  To which I say, absolute hogwash.  There have been absolutely fantastic adaptations of Howard stories over the years: Savage Sword's "Worms of the Earth," Dark Horse's "The Tower of the Elephant," Scott Hampton's "Pigeons from Hell," Marvel's "Red Nails."   No, none of them are perfect, but they're all so damn close I can easily consider them as successes, with the majority of my reservations ultimately in the minority to the stuff they got right. So just to get that out of the way: no, I am not impossible to please, as I have been satisfied by comic adaptations before.

Saturday, 1 May 2010

What is this I don't even


So many questions.
  1. Why is Conan laying waste to a horde of geriatrics?
  2. Why is he doing it through the medium of dance?
  3. Why are people just leaving their weapons in their victims' bodies?
  4. If they're Cimmerians, Picts, Aesir and/or Vanir, why do they have brown hair? And if they're Hyborians, why are they dressed and painted like savages?
  5. What's the deal with that dude in the white shirt?
  6. What are those foot-long ropes dangling from a few swords' pommels?
  7. Is there a particular reason everyone has pouches?
  8. Why do the heads look like they're popping off spontaneously instead of being cut off?
  9. Is that snake wrapped around the dude's amputated hand laughing triumphantly?
  10. Why are there cats running about the battlefield?

I'm at a loss, really. Who thought this was a good idea for the final Conan the Cimmerian cover? It looks like a Mad Magazine parody for Conan the Octogenarian: just add scythed wheelchairs, bladed zimmer frames and spiked colostomy bags, and you're good to go. Hell, it even has cats.

Just... insane.

Friday, 26 March 2010

Good Scot, Bad Scot: What New Comic Should Dark Horse Do Next?

Good ol' Strom over at the Official Robert E. Howard Forums poses the question.
At the risk of being labelled a big fat jerk, I'm going to discuss some of the above, using my much-touted and delayed Good Scot/Bad Scot system. Shocking, I know. I haven't really gotten into my long-standing problems with Dark Horse's adaptations, but I'll let Bad Scot do the talking, while I play Devil's Advocate with Good Scot.

Well, I won't just leave it at that, but explain why I don't.