Showing posts with label A Scottish Barbarian in Arizona. Show all posts
Showing posts with label A Scottish Barbarian in Arizona. Show all posts

Wednesday, 23 March 2016

Exile of Cimmeria

It's been 7 years to the day since Steve Tompkins left us. For the first time since, I've felt really apart from Howardom.


I've contributed to the upcoming Conan board game (which is, as of writing, the most successful board game Kickstarter of all time) and the Conan RPG (which is the fourth most successful RPG Kickstarter campaign of all time), not least because my Howardian scholarly pals Jeffrey Shanks, Patrice Louinet, Chris Gruber, and more are personally involved in their development. I lament the passing of the Robert E. Howard Forums, even in what is a great time to be a Howard fan. I'm long past caring about whatever iteration of development hell the next Arnold Conan is in. I've allowed my memberships of REHupa and the REH Foundation to lapse. And I came to the personal ultimatum that I would not be able to return to Howard Days until certain conditions are met.



I haven't been in regular touch with my Howard friends - but it is far from apathy. I would love to talk about the new board games, new collections and scholarly criticism, new books and films and art that evokes Howard's themes and ideas. I should be shoving my way into discussions about developing Iranistan and the Border Kingdom, asking who thought that dragon design was a good idea, giving my tuppence ha'penny worth on anything and everything. I'd even just love to see how they're doing, how the house and family and work is coming along. But for reasons I think regular readers will guess, I cannot - not until the cause is won.

I sometimes wonder what Howard would do in a situation like mine. Early 20th Century Cross Plains and early 20th Century Inverclyde have a few pointed similarities (formerly industrious towns with busy railroads, now a fraction of their former size, a history as a "frontier"), but for the most part, they might as well be different planets. What if the prospect of true change, to turn away from the corruption and decadence of the political class, were possible in Texas then? Would he continue to do what he truly loved, and type away, rather than take up political cause - when the savage realm of politics is as likely to chew you up and spit you out as you are to affect real change? Or would he try to change his corner of the world at the expense of his art, his long letters to his friends, his roughousing at the ice house? Am I being melodramatic, in comparing my politics to a great Cause and my personal interests as Art?

Who knows. All I know is that if I chose to take a different path, I don't think I could ever forgive myself. I posted this on my political blog, but I think it should be on here, to explain what I'm doing until I'm ready to ride back to Cimmeria.

Since 2010, I’d been going to Cross Plains in Texas. It’s the biggest extravagance I took part in each year, owing to the sheer expense of flights to America in recent years – to say nothing of the security gauntlet. The last time I went was in 2014. There were only a few months left until the referendum. I left Scotland for a month. The final result was decided by 86 votes.

Most of the campaigners I know still wring their hands – if only I did more. Everyone felt that. “If only I didn’t take that night off from canvassing on Sunday.” “If only I helped out at the stall more.” “If only I helped deliver more papers.” If only I stayed this year – of all years. Instead, I went to Cross Plains. I saw all my friends and relatives. I talked about the referendum any chance I got. I was sure we’d win, and win comprehensively. I was itching to get back home, to continue campaigning – but I figured I wasn’t that needed. Everyone at Yes Inverclyde worked hard. A recharge, a break, to come back rejuvenated and revitalised, was my justification.

Would it have changed anything? Would my mere presence in late May and early June in this most important year in Scotland’s history have had any effect on the official count? Nationwide, I doubt it – but it’s hard not to think that a constituency decided by 86 votes might have been affected by even the smallest nudges in a different direction. Would it have turned 86 more votes for No in the official count into a Yes result? Who knows.

I can never go back to America – not without Scotland’s independence assured. Every time I think of how optimistic and determined I was talking to my friends in America, I cannot help but feel the most profound sense of shame. Shame in so many of my countryfolk politely and democratically refusing what scores of countries fought for with every nerve and sinew, sure. Shame in my own misplaced confidence and naivete, that the British Establishment could be so easily defeated, undoubtedly. But most of all, shame in myself. Even putting aside any influence I, or any one individual, may have made on the result locally, what matters is that I left my people in the most important time of my country’s existence. There are people I can hardly bear to talk to online anymore, so deep is my personal sense of failure and mortification. How could I bear to show my face outside Scotland ever again?

I have two choices: either slink back to America with the contrived, pathetic, false nobility of the Dying Gaul, or I stride back with the assurance that my people were not the dog who handed back the leash to its master as soon as we were given the choice of freedom. I don’t want to keep my pals in America waiting much longer.

Saturday, 1 June 2013

A Scottish Barbarian in Arizona: Phoenix Comicon, Day 4

The final day! Getting to bed early meant rising early, so I did something very special: sketch cards! I was so inspired by the Sketch Cards panel that I decided to make some myself to commemorate the convention. I decided to make it a theme representing my artistic career: Melville, a fairy, Kalina, and my new character Caledonia from the Bannockburn comic.


 Oh crumbs, posting old art is like looking at my embarassing baby pictures - why do I do this to myself?

Melville you're all acquainted with, as well as Kalina, and though I've still not said much about Bannockburn's plot, you can probably tell from context who Caledonia might be. But fairies? You? Al Harron? The guy who loves dinosaurs, robots, barbarians and other such rough-and-tumble Traditionally But By No Means Exclusively "Boy" subjects? Back when I was in my early teens, for some reason I loved the idea of drawing fairies in the tradition of Claude Arthur Shepperson, Arthur Rackham, and Brian Froud: watercolours and inks, mostly, with a few embellished with gold, silver or other metallic pens.  I had a bunch of them, most of them very whimsical and silly: a fairy watching bumblebees, a fairy coyly hanging from a tulip, a little warrior fairy riding a mouse with a hatpin sword and button shield...

It's probably the closest I've come to pinup art in my career. I'd love to do pinup art, and from what I've been told I'd probably not do too badly at it. I'm a Frazetta fan, of course I'd love to draw sonsie lasses dressed in cuttie sarks with hurdies like distant hills and breasties all a-panickin'.* Yet considering how bashful I am with my U-rated art, you can imagine how I'd be about (gasp) fruity ladies! Nudes are a different matter: they're expression of the human body, clinical and scientific, not as much sex involved. Still, even if I did try my hand at pinups, I can't resist poking too much fun at the idea: I'd always want to give them a silly expression, or put them in some ludicrous situation that's more funny than sexy.  Oh bother, I've spent too much time talking about that on my blog, good gracious!


Friday, 31 May 2013

A Scottish Barbarian in Arizona: Phoenix Comicon, Day 3

Day three approacheth! I discuss animation, more indy comics, couple teams, and more!

Well, I turned the heat down a few degrees on Friday night, but ended up still too hot. However, I was fed up with this, so I popped out and got some ice, and had it close at hand to wrap in a napkin and dab with. It worked well enough, though I was a bit late getting up.

I first zoomed to the Animated Career panel, which was very informative: it featured Joel Adams, Bret Blevins, Shannon Eric Denton, Kristen Fitzner Denton, and Christy Marx. It was a very interesting panel, which discussed the intricacies and mixture of patience and urgency which seems to permeate the life of the animator. Bret Blevins (who worked on Batman Beyond, one of the most interesting Batman series) had the most soothing, gentle voice. Imagine Kiefer Sutherland with his vocal cords replaced with Kashmir. And of course, we also heard from Christy Marx,* lead show writer of Conan the Adventurer, and I knew I had to talk to her!

Thursday, 30 May 2013

A Scottish Barbarian in Arizona: Phoenix Comicon, Day 2

Another successful day! Today I'll discuss more artists, comics, and Star Trek! Lots of videos, so be warned.

Not as successful a night, however: I slept soundly until about 3, when I woke up, to my horror, covered in sweat. Fearing the worst, I checked the air conditioner. It showed 75! I was surprised, that's normally nice and cool. I didn't know what was wrong, but if it was 75, I daren't go any further. So for pretty much the rest of the night until 5 or 6, I kept getting up and doused myself in water, having a drink whenever I felt I needed to.

Next time I woke up, it was 8. Completely parched and sweating again. Great, I was hoping to mosey down gently. What was the culprit? The fan had been set to low. So what we got was one corner of the room nice and cool, the rest of it - particularly the beds - unchanged. Well I could've boiled the kettle without even getting mad.  I dearly hope changing it to high would make things better: I wouldn't be able to stand another night of that heat. Of course, my poor entourage tutted about the centre being cold - evidently the radiating human heat that was frying me alive ignored them.


Wednesday, 29 May 2013

A Scottish Barbarian in Arizona: Phoenix Comicon, Day 1

So this marks the second year I've attended the Phoenix Comicon. I feel much more comfortable this year, it isn't such a Strange New World to me, and I feel like I've gotten to know the place a bit better. In this report, I discuss comics, books, artists, and finally reveal the secret of Melville.




This little chap is my mascot, and has been since I was a lad. I bought him at the McLean Museum a long time ago, naturally named for the author of Moby Dick and proud beard-owner Herman Melville. Now, back when I was in Primary School, all the children in Primary 7 were treated to a trip to Paris. I was a very shy and retiring child, so I never took pictures with myself in the photo: I just took snaps of the Eiffel Tower, Sacré-Cœur, Champs-Élysées, and so forth, with no sign of me, the other children, or the teachers. When I came home, my family was perplexed: why would you take pictures of the places without yourself? To them, the whole point of holiday photos was to prove you were there: pictures of the monuments can be found anywhere, but a picture of you outside Notre Dame was unique. That revelation troubled me: how, then, could I find a way to prove I was present on holiday without actually putting myself in photographs?

Melville was the answer. Every time I took a picture, I made sure that Melville was somewhere in the frame. He might just be moseying about a corner, looking off into the horizon, or pride of place in the centre. Melville has been all over the world: Florida, France, Spain, Majorca, Corsica, Italy, and now Arizona, and soon Texas. As I grew more comfortable having my photograph taken, I still took photos with Melville for traditional purposes. There was a period prior to the First Scottish Invasion where Melville disappeared: I was most distressed, but figured he was somewhere in the house. I used to joke with the folks he was off on some adventure or top-secret mission, though in reality it turned out he was in my bedroom all those years. And so, after much ado, Melville will finally make his Cross Plains debut, and at last be photographed at the Howard House like I initially hoped.

But that's still a while away: for now, I'm a Scottish Barbarian in Arizona, and Melville's come along to his first convention!


Monday, 13 May 2013

The Fourth Scottish Invasion

Hope Blogger doesn't eat this one...

It's been a while since I've posted anything Howard-related. To be frank, I think I'm a bit burned out on REH, not just on the Encyclopaedia, but on REHupa, and keeping up to date on news and events. Combined with working on my burgeoning comic artist career, things might be light on the Howardian front for a while. I'm particularly frustrated that I haven't continued the "80 Years of Conan" despite being a year since I started it.

That said, I'm still going to Howard Days in June, where I'll be speaking on Robert E. Howard in comics. Unlike fellow Cimmerian blog alumnus Jeff Shanks, I'm not a collector and not much of an authority on the Marvel comics; unlike Mark Finn, I haven't been asked to write forewords and afterwords to Dark Horse collections. But I'll give it a shot all the same!

I also plan on attending the Phoenix comic convention. No William Shatner this year, sadly, but there are lots of others whose ears I plan on chewing off.  I'd be ecstatic to meet Bruce Boxleitner as a Babylon 5 aficionado, but if I get the chance, I'd like to see if I could pick his brain about Robert E. Howard, since he's a hardcore REH fan himself.  On the Star Trek side, Walter Koenig, Wil Wheaton and Nichelle Nichols will be in attendance: my young cousin would practically demand I get a picture from Wil, and I very much want to meet Ms Nichols. Uhura was one of my favourite Trek characters, and she just seems like such a lovely person.

Then there are others vaguely linked to Conan and REH like Brandon Sanderson, Dan Jurgens, Geof Darrow (heh), Jay Fotos, Nat Jones, Joshua Dysart, Michael A. Stackpole (who I still owe a signing!), Mike Mignola (who I'm just as anxious to meet for his work on Hellboy), Mike Norton, and a few others like the Pinis. Peter David wrote some rather fun Star Trek novels I enjoyed: I'd love to know if he based Mackenzie Calhoun on Conan/Kull, or if it was just a fun coincidence. Rice & Haggis has a Scotsman at their panel, who I'd like to show countryman support. Katelyn McCaigue's work interests me greatly. And I vividly remember Jolene Houser and Val Hochberg from a lovely panel they did last year on female comic writers, so it'd be nice seeing them again.

Another interesting semi-Howard connection is Christy Marx, most famous for Jem and the Holograms (a fixture of my early childhood, even without considering I had a babbie sister at the time) but also the story editor and writer for the much-maligned Conan the Adventurer. Much as I had severe issues with the cartoon, it's easy to see that a lot of the problems are borne from the very nature of making a Saturday morning cartoon show out of Conan to begin with: all things considered, I'm actually impressed with the number of Howardian elements that did make it into the show. Certainly more than the more mature-themed Marvel comics at the time bothered with, I'll tell you that much.

There are a few events and panels I might go to: Writing Believable Fantasy, Worldbuilding in Science Fiction and Fantasy and The Epic Fantasy Panel (even if Terry Brooks is there, boom boom!),  The Short Fiction Panel, Illustrating Your Own Work, The World of Sketch Cards, Webcomics 101, Historical Settings, Nichelle Nichols' panel, Star Trek and the Human Potential, Historical Fiction and Dystopian Fiction: Similarities and Differences, and An Animated Career. Some of these might overlap, so I'll check closer to the event.

Most hilariously, John Barrowman will be attending - hilarious, because I live only a hop, skip and a jump away from his childhood home Millport, and in fact the Weird Sisters often spend weekends over there with friends.  Their natural charm almost got Erin Gray hijacking them for the weekend last year: who knows what would happen if they came across Barrowman?

So I'll be in Arizona shortly, where I'll spend two weeks or so getting over the flight, exploring more of the arid alien landscape, catch up with old friends, and maybe a bit of blogging in between preparing for CP. Then on to the 36 West, where I'll hope to see more old friends and make new ones.

See you there, folks!

Wednesday, 30 May 2012

The Scottish Invasion

I'm monkeying about with settings on the blog, so hopefully this'll stay pinned at the top.

Being in America is full of adventure, but in a strange irony, my internet access is even more limited than back home.  Therefore, while I'll endeavour to post, moderate comments and reply as often as I can, I'm afraid there might be spaces of days between them.  Just so everyone knows I'm not ignoring my duties, I'm still hard at work on the Encyclopedia and various essays and posts when I'm not trying not to die of heatstroke or dehydration.

Monday, 21 May 2012

America, Och Aye


To Whomsoever finds this blog post,

Even though I’d been to this strange, otherworldly place before, the land has a strange habit of surprising you. Just as you think you’ve accounted for the climate, the wildlife, the flora and the residents, something you simply didn’t expect can throw you for a loop. I’ve been here for a few days, a week, I can’t tell with these strange days where the sun is shining and nary a drop of rain nor a tuft of cloud to offer shelter from its well-meaning but often destructive gaze. For two or three days I had internet access, but even that has confounded me. I’ve kept myself sane by working and reading,* and keeping myself cool and hydrated. Considering I had once been hospitalised for dehydration back home in Scotland, this is something of a concern.

Still, I managed being torn away from the beloved internet. After all, I managed for most of my childhood: 8-year-old Aly wouldn’t see the problem, and probably marvel at the tiny notebook computer I’m using. Indeed, it’s given me a chance to appreciate where I am more, and the things the locals take as normal which utterly fascinate me.